What we meet is a gar ment that has always already been represented, and which has always been de?nitively shaped by a fashion discourse. Barthes therefore insists that it is impossible to place the ‘real’ garment ahead of the fashion discourse, and that the order ought instead to be reversed so that it moves from a constitut- ing discourse (the ‘represented’ garment) to the reality that is constituted.9 To be ‘fashionable’ has nothing to do with the material characteristics of clothes, in Barthes’ opinion, but is a product of the fashion language. To understand fashion, it is therefore necessary to try to understand the language that constitutes it as fashion. Barthes states his wish to study ‘written garments’, clothes without any practical function, as described in fashion magazines, because only the ‘meaning’ is left when the function is removed.10 Furthermore, Barthes claims, the ‘written garment’ does not contain any ‘vague tem- porality’. This is important because he wishes to carry out a synchronic study of fashion rather than a diachronic one. In other words, he wants to study a static fashion system. This is an original move, since most studies of fashion are diachron- ic and deal with the historical transformation of clothing, but it can be objected that adopting a perspective in which fash- ion is ‘frozen’ in an instant removes precisely the temporality that is the essence of fashion. In accordance with the structuralist theory of Ferdinand de Saussure, Barthes strictly distinguishes between the signiger (signigant) and the signi?ed (signigé), which may be interpreted as a division between the material side of a sign and its content side, such as the sound-image of the word ‘trousers’ and the meaning of the word. Each sign must con- tain both these aspects of content and expression, but the link between the two is arbitrary. There is no necessary link between sound-image and meaning for the sign ‘trousers’.
The shirt is the key to suit collocation, as far as color is concerned, the best color to white, or at least for a single color.
Choice of the colour of a shirt must follow some rules, otherwise it may be a disaster. Although in outfit have unalterable rules, but certain guidelines can be useful. Such as red hair should avoid wearing a bright color, especially red, can wear brown, light gray and green. And hoary-headed people should avoid wearing gray, black and blue. Dark-haired man color restriction is less, but also should be careful, wearing dark grey may make people feel you compare the terrorist, can choose bright brought brings ease. People with brown hair is better, but to blue and try to avoid the dark brown suit. Gray hair people wear dark blue will be quite good, but avoid light color attune, because light color can let them drown in the crowd.
In all thorough dress collocation has a basic guideline is color harmony. Using the same color is different chromaticity combined: for instance navy blue suit, pale blue shirt, blue-black geometry tie and black shoes matchs properly. Most men tend to this dress. Choose contrast big tonal line collocation also can generate a good effect, such as blue suit, the red and white stripes shirt, tie HeGongSe and golden brown shoes add were remarkable. But the clothes is tie-in, you must pay attention to the comprehensive meticulous, don't overlook any details.
He was a fat or thin must be sensitive. All phases are going on in the size of the heart, such as size of collar, or sleeve length, are to be accurate to centimeters. In buying cotton shirt collar and sleeves, remember to be less than his actual size at least 1. 5 centimeters, just shrunk. Even if you find collar is very appropriate, but no larger number, then also still put back. Because if shirt washed after the discovery collar tightened, even the most exquisite craft of tailor are powerless.
Get model
You choose shirt collar can highlight your strengths can also betray your faults. If your face is round, long pointed comprehends to your face a spun effect, namely so can weaken your face overweight defects. Square frame round-faced people to avoid wearing nail have brought pointed the collar buttons, Medium or face to face the longer people, flat brought is right choice, because that will have a little pull wide face feeling, Neck long and thin person should consider high edge collar or smaller collar, Oval face people wear what all can, however, in the collar suits most.
fabrics
If you are in pursuit of high quality, then your buddhist meaning should be 100% quality. Cotton fabrics permeability and absorb sweat effect is very good, wear comfortable, and color keep well, wash again much also not easy fade. Elite man office drawer should put on a clean one, starch quality white shirts for temporary arrange to dinner or special occasions when use.
Polite a face of several common get model
Standard brought: professional type length and open Angle are trend "gentle" collar called standard brought. The shirt is common in the commercial activity, colour and lustre with monochromatic and white is given priority to, is the most common, the most common style.
Alien color brought: taste type white-collar son plain coloured or stripe shirts, some cuffs also make it white, get model more for standard or open collar, brought sharp shape also quite much, normally is circular and the vortex lines with peja this match and clinking.
AnKou brought: traditional collar around sew have lift buckle, tie from mention buckle on through, get a department fasten shirt brought exquisite rigorous, emphasize the stereo image, tie structure wearing this brought type shirt must wear neckties, and played a little bit small.
Button brought: motile brought pointed to button fixed in garment body, the original is sports shirt, is the only don't over all shirts starched get model, the typical American style, random nature, comfortable and convenient.